What’s Good: MAPPA’s Animation Shines Bright
There’s no denying that MAPPA is at the top of its game when it comes to animation. The studio’s work in Maboroshi is breathtaking, with every frame oozing detail and creativity. From lush landscapes to dynamic character movements, the visuals are a treat for anime fans. If you’re here for eye candy, this film delivers.
What’s Bad: A Story That Falls Flat
While the animation dazzles, the story struggles to leave an impact. The film introduces a life-changing event early on but fails to explore its consequences. Characters barely react to it, making the stakes feel nonexistent. By the time the climax arrives, it feels unearned and emotionally hollow.
Loo Break: Second Act Drags
If you need a quick break, the second act is the perfect time. The plot meanders, jumping between characters without clear direction. It’s a slow, confusing stretch that struggles to hold your attention.
Watch or Not?: For MAPPA Fans Only
Should you watch Maboroshi? Only if you’re a die-hard MAPPA fan or love visually stunning anime. The lack of a compelling story makes it hard to recommend for casual viewers.
Quick Details
- Language: Japanese (with English subtitles)
- Runtime: 112 minutes
- Available On: Netflix
Maboroshi Movie Review: Script Analysis
Written and directed by Mari Okada, a veteran screenwriter, Maboroshi had potential but misses the mark. The story revolves around a mysterious event that traps a town in isolation. Sounds intriguing, right? Unfortunately, the execution is messy.
The characters, mostly teenagers, behave in overly dramatic ways without clear motivations. Their backstories are vague, making it hard to connect with them. Themes like isolation and repressed feelings are present but never fully explored. The result? A narrative that feels scattered and unsatisfying.
Star Performances: A Mixed Bag
The voice cast does their best with the material. Junya Enoki stands out, bringing depth to his character despite the erratic script. Reina Ueda shines as Atsumi, a cold yet intriguing figure.
On the other hand, Misaki Kuno’s portrayal of Itsumi, a beast-like child, is hit-or-miss. The character’s odd mix of animal and human traits feels confusing, and Kuno’s performance, while committed, can’t save the role from being cringe-worthy.
Direction and Music: Missed Opportunities
As a director, Mari Okada struggles to balance the film’s many elements. Scenes feel incomplete, and the pacing is uneven. The town’s isolation and the characters’ personal dramas never mesh well, leaving the story aimless.
The music, composed by Masaru Yokoyama, tries to amplify the emotional weight but often feels overbearing. While some tracks are hauntingly beautiful, others come off as manipulative, pulling you out of the experience.
The Last Word: A Creative Misstep
Maboroshi is a visually stunning film that falters under its own ambition. Despite MAPPA’s incredible animation and a talented voice cast, the story lacks focus and emotional depth. Mari Okada’s script needed tighter editing and a clearer vision.
If you’re a fan of MAPPA’s work, it’s worth a watch for the animation alone. But for those seeking a compelling story, this one might leave you disappointed.
Maboroshi Trailer
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